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Mail up the following informations:

Product infos:

Type of system, serial number, date of purchase.

Definition of your Problem:

Describe the problem, tell us what was your last moves, join if possible an Error.log.

We will handle your case immediatly.

Mail it to: support@interlab-net.com
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EditShare enables media professionals to collaborate on projects thanks to our ever-expanding range of innovative products and features, all designed to improve production and unleash creativity. Integration and collaboration are central to all products in our comprehensive range of media management solutions – from ingest to archive.

Available Products:

Flow

Production Asset Management

Flow Production Asset Management is all about adding efficiency and increasing productivity in your workflow.

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Designed specifically for the broadcast media and entertainment industry, Flow is aware of all media content on EditShare and other disk storage and helps bring together users from every part of the production process – from producers, directors and editors, to assistants, loggers, archivists, and legal personnel – allowing everybody in the production chain to collaborate starting from ingest right through to final delivery.

With Flow, you can ingest media from SDI or file-based sources, scan existing media files that are already on your shared storage, generate proxy files at lightning speed without third party transcoding engines, view, log and tag your assets and then search Flow's powerful database to find what you need when you need it. With Flow, you can even perform simple rough-cut editing, drag the sequence into your favorite NLE, and restore "offline assets" from Ark Tape or Ark Disk back to "online storage".

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Geevs

Broadcast Video Servers for HD/SD Ingest and Playout

Geevs Broadcast Servers have been crafted to challenge a wide range of demanding workflows including simple ingest, complex newsroom integration, live sports with instant replay, multi-camera studio ingest and 24/7 scheduled play-out.

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With our experience of deploying over 1,000 channels on-air and with an unrivalled feature set, Geevs servers offer broadcasters and post-production users real benefits and return on investment. Geevs provides unmatched codec support including DVCPRO HD, Apple ProRes, Avid DNxHD, XDCAM HD and AVC-Intra 50/100. EditShare also offers a free API for integration with third-party solutions making it the most flexible broadcast server available.

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EditShare Storage

Best in class stream counts and the ultimate in Media and Project Sharing

Optimized for video workflows, all EditShare storage systems deliver unbeatable performance plus a powerful suite of collaboration tools.

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Whether you use Avid, Final Cut Pro, Premiere Pro, Lightworks, or another NLE application, EditShare lets you safely share both media and projects for the ultimate in efficient post production. On top of that, all EditShare storage systems include Flow asset management and Ark backup and archiving software. No other storage solution gives you so much value. Which model you choose all comes down to what you need.

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Lightworks

The Professional Non-Linear Editor

Lightworks is the fastest, most accessible and focused NLE in the industry, because it is based on the simple idea that the editor, not the computer industry, knows what’s best. The latest release of Lightworks is based on the cumulative knowledge from twenty years of top-flight editing.

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Unmatched format support

Lightworks has the widest support available for formats currently available in a professional NLE. MXF, Quicktime and AVI containers, with every professional format you can think of: ProRes, Avid DNxHD, AVC-Intra, DVCPRO HD, RED R3D, DPX, H.264, XDCAM EX / HD 422 – check out the detailed Tech Specs for a full list of supported formats.

Incredible timeline

We like to shout about our timeline. It looks uncomplicated – and it is. But it’s more powerful than any other timeline out there. With the most comprehensive drag and drop support, and all the standard insert, replace and fit-to-fill edit commands, a Lightworks timeline probably gives you the most advanced feature set available. Change clip speed, control clip and track volume levels, add effects and transitions in realtime – all in an uncluttered and flexible timeline that out-performs anything else out there. And it’s free.

Resolution, format and codec independent timeline

We live in a complicated world of formats, frame rates, codecs and standards, which is painful when all you want to do is edit. So we’ve taken that headache away. Put whatever you want on your timeline – any standard frame rate, any format, any codec – we don’t think you should worry about that. In fact, the only thing you have to decide is what you want to export your edit as. That’s all you have to do. If we could make it easier, we would.

Trimming

If Lightworks had one key advantage 20 years ago it was its ability to trim media. Most NLEs make you perform unnecessary editing functions to delete, lift, cut or move media when all you really want to do is trim it. Lightworks sets the standards for trimming, with an AutoSync feature that has never been matched. Why make something complicated with several edits when you can do it with just a couple? Once you’ve trimmed in Lightworks, you won’t look back.

Multicam Sync Groups

Not everyone shoots with multiple cameras. But when you do, you need the best tools to edit. Syncing-up shots and switching angles in realtime all help create a great multicam edit. The last thing you need is technical restrictions getting in your way. So we removed them. Edit unlimited sources and any mixture of resolutions or formats in our unique Sync Group for the most flexible multicam editing feature available in a professional NLE. It doesn’t get easier than this.

Stereoscopic Support

Stereoscopic is here to stay. And we’re here to support it. But why change the way you edit, just because the way you view media has changed? Lightworks has a completely unique way to edit stereoscopic media – exactly the same way you edit the rest of your media. We automatically keep track of your left and right eye media during import, editing and export; all you have to do is decide how you want to view it. And we offer plenty of ways to do this: Anaglyph, Side-By-Side, Checkerboard, Difference. You can even view stereoscopic media on a regular 2D display. Who said 3D workflows had to be expensive?

Project Sharing

Seven years ago we developed the EditShare shared storage solution based on real world experience: working on location with shared FireWire drives drove us mad. We believe we understand project sharing better than anyone. We’ve developed a solution for Avid and we are the only company to develop one for Final Cut Pro. But with Lightworks, we’ve taken it one step further. This is what realtime collaboration should be. Share media, bins and edits in realtime with full permissions control over which user has read / write access. If you need to work together then this is probably the best solution available. Easy to configure, easy to maintain and it works on any network storage.

Powerful, realtime effects

Remember the big announcements about background rendering last year? We remember them too and we’re still wondering why. Modern graphics cards are fast – lightning fast. Why render effects when they can be handled in realtime by inexpensive GPUs? Lightworks has a realtime GPU pipeline architecture, designed from the ground up to deal with compositing and effects, such as primary and secondary colour correction, blurs, mattes and masks – completely independent of the source media. HD? 2K? 4K? No problem, we’ll deal with it in real time. The faster your GPU, the faster your system.

Unique and Patented Console

Since 1989, Lightworks has had a unique and Patented hardware Console at the heart of its editing philosophy. Based around a flatbed film editor, the console offers the most tactile and intuitive editing experience available. There’s nothing else quite like it. Just because we edit using files and not film these days doesn’t mean we have to throw away the best way to edit. Using the console means you spend at least 50% more time looking at the images and not at shortcuts or disruptive application menus. It’s fast and it’s how the professionals edit. Every film that has been edited with Lightworks has been cut with a Lightworks console. And for those who fancy something different, we’ve developed a dedicated keyboard with an ergonomically designed layout for optimal use.

AutoSave

There’s nothing more depressing than losing your last edit. You’ve spent hours fine-tuning a cut and the power fails or your hard drive dies. We’ve been there and we know what it’s like. So that’s why we have an AutoSave feature that is as good as it gets. To put it simply, you’ll never lose your work again. Lightworks saves every keystroke, every edit, every change you make in your project. Not only does Lightworks save your project continuously, but it also saves incremental backups of each Edit. You can decide how often and how many versions are kept. Peace of mind that you can return to any point and not lose any of your hard work.

Media management

Multiple Terabytes of media: It’s a headache. How do you filter content quickly and efficiently? How can you log your media so that others can find it? Lightworks offers a powerful solution for managing your media, and doesn’t leave you at the mercy of a consumer operating system’s file system. Knowing where your media is and what you have available can make the difference between a great final product and an average edit. Log media, Storyboard, make automatic edits, and advance search for content. Powerful tools for any editor or assistant who collaborates with other departments such as audio of VFX.

Lightworks Community

We would love to think we have all the answers, but some of the best ideas come from people using Lightworks every day… and we are more than happy to listen to them! The Lightworks Community is full of great people – editors who not only love editing, but also enjoy sharing knowledge and helping others find better ways of using Lightworks, with tips, tricks, or just good old-fashioned advice. Lightworks has the largest growing community in our industry and we’re proud of it. Join us and experience something above and beyond the software! Read more on the Edishare website

Ark

Backup and Archiving Seamlessly Integrated with EditShare Storage and Flow Asset Management

Whether you're looking to make short-term backups of your media and project files, or you want to temporarily “park” a project, or you want to build a permanent archive on lower-cost and more energy-efficient storage, there is an Ark Disk or Ark Tape solution for you.

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Ark Disk and Ark Tape seamlessly integrate with EditShare's central storage (XStream, Energy, Field) and media asset management, provided as tiered storage environment with tremendous automation and media management capabilities.

Easily copy or migrate content from “online” EditShare Media Spaces to “nearline” Ark Disk and “offline” Ark Tape LTO storage. Use Flow to view low-resolution proxy files of everything stored on Ark and quickly restore any files you want to bring back to an online state. With Ark, your media is always only a few clicks away.

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